gabriel Alonso, actor del Quadre de Veus de RadioteatreBorn in Barcelona, he studied Appraisal Companies and Trade. In the 1950's, he joined Radio Terrassa where he began to speak regularly on the activities of the Radio Theater Voices Company, directed by Joan Llenas then. In addition to work as an actor, he also performs the secretary and he was writing scripts and dramatizations that then put on stage. Meanwhile, he began to actively participate in the work of station advertising, reaching to become director of the publicity department.
As a writer, he continued working in various radio programs such as "Nosotros", "Meridiano", "¡Qué familia!" and "Galeria Poética". It was, however, programs in the public, "Festival de las Ondas", "Reina del hogar" and "Gran Festival de las Estrellas" which mostly showed their creative capacity
He left radio to pursue the representation of figures in showbiz and celebrity.

Curiosities

  • Did you know ...?

    To simulate the sound effect ticking of a clock, we can achieve if we roll a pencil between our hands with a ring on one finger.

  • Did you know ...?

    Earlier Radio Theater plays, issued at the early 1920's, were theater scripts played on a conventional stage in which superimposed the voice of a narrator explaining on radio all that was not appreciated only with the ears .

  • Did you know ...?

    Orson Welles founded "The Mercury Theatre on the Air" in July 1938, together with John Houseman, as a company to play radio drama scripts which adapted by himself.
  • Did you know ...?

    "Taxi Key", the popular radio drama series which starred Ricardo Palmerola and Isidre Sola in Radio Barcelona, began airing in 1948 and was on the air until middle 70's.
  • Did you know ...?

    To simulate the sound effect of a shower can be achieved by slowly pouring a bag of rice in a plastic container.

  • Did you know ...?

    In 1961, Spanish Radio and TV Gemeral Management Office thought that seven Lorca's scripts were 'not allowed for broadcasting' because its content and were forbiden until 1977. Some of those scripts were rhe three gold Lorca pieces: 'Yerma', 'Bodas de sangre' and 'La casa de Bernarda Alba'.

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