El Quadre de Veus de Radioteatre a la Vetllada Nadalenca del 2015

On Sunday, December, 27th, on L'Ateneu Terrassenc auditorim, was played second edition of "Vetllada Nadalenca" with part of"Quadre de Veus de Radioteatre" and "Cor Dríade". The show combines "El Pessebre" by Joan Alavedra and "El Poema de Nadal" by Josep Maria de Sagarra poetry reading played by actors from Radio Theater Voices Staff directed by de Joan Garrigó and Christmas songs from all over the world by Dríade Voices directed by Lluís Yera. This activity has been scheduled in L'Ateneu Christmas Program filled up again Ateneu Auditorium as the same way as last year.The public has enjoyed for almost an hour of a show specially designed to bring the magic and spirit of Christmas to all attendess.

 

Courtesy of Maria Rosa Raspall

Curiosities

  • Did you know ...?

    "Taxi Key", the popular radio drama series which starred Ricardo Palmerola and Isidre Sola in Radio Barcelona, began airing in 1948 and was on the air until middle 70's.
  • Did you know ...?

    In 1961, Spanish Radio and TV Gemeral Management Office thought that seven Lorca's scripts were 'not allowed for broadcasting' because its content and were forbiden until 1977. Some of those scripts were rhe three gold Lorca pieces: 'Yerma', 'Bodas de sangre' and 'La casa de Bernarda Alba'.

  • Did you know ...?

    Orson Welles founded "The Mercury Theatre on the Air" in July 1938, together with John Houseman, as a company to play radio drama scripts which adapted by himself.
  • Did you know ...?

    To simulate the sound effect ticking of a clock, we can achieve if we roll a pencil between our hands with a ring on one finger.

  • Did you know ...?

    To simulate the sound effect of a shower can be achieved by slowly pouring a bag of rice in a plastic container.

  • Did you know ...?

    Earlier Radio Theater plays, issued at the early 1920's, were theater scripts played on a conventional stage in which superimposed the voice of a narrator explaining on radio all that was not appreciated only with the ears .

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