RADIOTEATRE.COM - NIT DEL MISTERI 2010

Wednwsday, June, 30th 2.010

NIT DEL MISTERI 2010

Proclamation and Awards Ceremony of literary contest:

19th Ferran Canyameres Novel Award
22nd Short Stories Ferran Canyameres Award
16th Maria Rovira Award
9th M. Montserrat Oller Award
6th Enric Gall Poetry Award for authors above 60 years

Showing by "Quadre de Veus de Ràdioteatre de la 95.2 Ràdio", directed by Joan Garrigó, of pieces from the novel “Abans del silenci” by Agustí Vehí Castelló, from Figueres, the winner of 18th Ferran Canyameres Novel Award, in a radio adaption by Mr. Miquel Massaguer

In Auditori Municipal, Passeig d’Ernest Lluch, 2 de Terrassa

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Curiosities

Did you know ...?
"The mousetrap", theater drama script by'Agatha Christie, was originally written as a radio theater script called 'Three blind mice' by herself in 1947, as a birthday gift fon Queen Mary Victory.
Did you know ...?

To simulate the sound effect of a shower can be achieved by slowly pouring a bag of rice in a plastic container.
Did you know ...?

To simulate the sound effect ticking of a clock, we can achieve if we roll a pencil between our hands with a ring on one finger.
Did you know ...?
Orson Welles founded "The Mercury Theatre on the Air" in July 1938, together with John Houseman, as a company to play radio drama scripts which adapted by himself.
Did you know ...?

"Taxi Key", the popular radio drama series which starred Ricardo Palmerola and Isidre Sola in Radio Barcelona, began airing in 1948 and was on the air until middle 70's.
Did you know ...?

In 1961, Spanish Radio and TV Gemeral Management Office thought that seven Lorca's scripts were 'not allowed for broadcasting' because its content and were forbiden until 1977. Some of those scripts were rhe three gold Lorca pieces: 'Yerma', 'Bodas de sangre' and 'La casa de Bernarda Alba'.
Did you know ...?

Earlier Radio Theater plays, issued at the early 1920's, were theater scripts played on a conventional stage in which superimposed the voice of a narrator explaining on radio all that was not appreciated only with the ears .